#HALO REACH SOUNDTRACK SERIES#
#HALO REACH SOUNDTRACK FREE#

ReachвЂ™s soundtrack I guess just felt like it was more the result of conscious and logical composition rather than passionate and emotional. It was great, but the previous soundtracks were just. ReachвЂ™s music was great though tbh I didnвЂ™t think it was quite as good as the prior titles. ODSTвЂ™s music was fantastic - I loved the Mombasa Streets music where you heard a lot of solo sax. Halo 3вЂ™s soundtrack was just epic, not much more to say. Halo 2 added on to it with some really cool tracks and became more cinematic and kicking Sangheili ass to вЂњBlow Me AwayвЂќ by Breaking Benjamin was badass as hell. It had such simple but impactful melodies that just worked in such a perfect way with the gameplay that you canвЂ™t forget it even if you tried. вЂHalo: ReachвЂ™ is the best вЂHaloвЂ™ game ever and its soundtrack is not to be missed either.Man I canвЂ™t bring myself to have a favourite. Not a bad track, but the wailing guitar solo permeating it is just a little over the top, especially for such a somber game. The oddest track is the last one, вЂњWe RememberвЂќ, which is like a soft-rock ballad version of the theme. The rest of the disk is short, sub-five minute pieces running the listener up to the end of the game itself.

It must be heard to be believed, particularly for the вЂHaloвЂ™ fan.Д¬locking in at 11 minutes and 47 seconds is вЂњLong Night of Solace,вЂќ the second-longest track after вЂњWinter Contingency.вЂќ It is actually a variation on the original вЂHaloвЂ™ theme but with an entirely different melody reminiscent of the overture interspaced between the strains of that classic, instantly-recognizable theme. вЂњTip of the Spear,: the fifth track, is above and beyond the single best track on the album. The fruits of their efforts are on the вЂReachвЂ™ album, with many songs having that same feel-particularly the next track, вЂњNightfall.вЂќ The third track, вЂњONI: Sword Base,вЂќ takes a foray through some techno-lite, a style OвЂ™Donnell and Salvatori only experimented with in вЂODST.вЂ™ Or, perhaps, if one thinks more about it вЂ¦ Spartan. In fact, it is so military, the theme nearly screams Roman. It is one of the best songs on the album, with a tight military theme running underneath the sparse beats. While that seems like plenty of time, it is not-especially with the next song, вЂњWinter Contingency,вЂќ clocking in at a lengthy 12 minutes. It is unfortunately not nearly long enough, only a mere four minutes of tantalizing preview. It includes variations on the latent themes that run throughout the entire album. The opening track, вЂњOverture,вЂќ is the title screen music for the game. Clocking in at 20 tracks with a little over an hour and a half of music, вЂReachвЂ™ encompasses multiple genres and multiple styles. If the вЂODSTвЂ™ soundtrack was the primer, then the вЂReachвЂ™ soundtrack is the perfect finish. After all, with three games in a row of doing the same Gregorian chant-inspired opening theme, a little variety is more than welcome.

#HALO REACH SOUNDTRACK FREE#

For those who have no intention of playing the game, keep reading.ДЇor the вЂReachвЂ™ soundtrack, OвЂ™Donnell and Salvatori were able to explore different themes free from the constraints of the traditional вЂHaloвЂ™ series. Both the вЂHaloвЂ™ fan and the person with the taste for great soundtracks will enjoy this album.Д«e forewarned though many of the track titles contain spoilers for what occurs during the вЂReachвЂ™ campaign.

Just like the duoвЂ™s previous work, the soundtrack for вЂHalo 3: ODST,вЂ™ the вЂReachвЂ™ soundtrack is easily accessible and wonderful to listen to on its own. With the release of the вЂHalo: ReachвЂ™ soundtrack, they have reached the peak of game audio bliss. With each subsequent game, his and SalvatoriвЂ™s already-prodigious talent have continued to expand and grow.

#HALO REACH SOUNDTRACK SERIES#

OвЂ™Donnell has been tied to the series ever since composing the original unforgettable Gregorian chant-inspired opening theme song for the вЂHalo: Combat EvolvedвЂ™ game. It was composed by none other than OвЂ™Donnell, along with longtime colleague Michael Salvatori. One of the hallmarks of the вЂHaloвЂ™ series, apart from the armor-clad Spartans and energy sword-wielding Covenant, is its iconic music. He is the man behind the music of вЂHalo.вЂ™ Bungie does not pay Martin OвЂ™Donnell nearly enough for what he does- and what he does, he does magnificently.

Halo reach soundtrack